Comic-Con: The Hobbit Just Got a Little Funnier with Stephen Fry

Stephen Fry does it all. He writes, acts, speaks, blogs -- basically, he's putting us all out of jobs. His latest role will be that of an ordinary human, albeit one who gets to hang out with hobbits and dwarves and dragons.

Compared to the The Lord of the Rings trilogy, The Hobbitwas always a lighter adventure, a prequel meant for younger readers as a segue into the epic, dark experiences of the Fellowship of the Ring and their quest to Mordor. Keeping with his past trilogy, it's likely that Peter Jackson's upcoming adaptation of The Hobbit will keep the same grim tone, but with recent casting additions, there may be room in the film for a bit more comedy.

According to Peter Jackson's official Facebook page, British comedian/writer Stephen Fry has been cast in the film as the Master of Laketown. Bilbo Baggins and his posse of dwarves are welcomed to the town by the Master, who's real intentions are driven by greed and weakness.

Jackson and Fry have a previously relationship, spending a good part of the last decade working together on a remake of the 1955 war film The Dam Busters. Now Jackson's expanded his relationship with Fry, bringing him into theHobbit fold in a role that could be more substantial than the original text would have you believe, now that the source material is being broken into two parts.

For those unfamiliar with Fry, or simply need a reason to love this bit of casting, watch this:

Jackson also updated with a few more casting additions, including relative unknown Ryan Gage as the Master of Watertown's slimy servant Alfrid and Conan Stevens as the orc Azgog. Jackson posted a picture of himself and Stevens on set, to give you an idea how tall this lumbering actor really is (Jackson is aroundn 6'5"). Not someone you want to mess around with.

The Hobbit is a strong contender for a panel at SDCC this year, so keep your eyes peeled for official announcements soon.

Magnet Releasing To Take You Beyond The Black Rainbow

The trippy sci-fi festival favorite from an alternate 1983 lands a distribution partner.

Panos Cosmatos' Beyond the Black Rainbow, the only memorable film from this year's Tribeca Film Festival, has landed a distribution partner.  And it is the right partner.

Our friends at Magnet Releasing, the sociopaths who brought us Rubber and Hobo With a Shotgun and Black Death and the upcoming Trollhunter, announced the deal the other day at the Cannes Film Festival.  It was swallowed by the news of Lars von Trier being a douche but, much like the insidious nature of this otherworldly film, the message has still seeped out.

Beyond the Black Rainbow is an endurance test - an intensely slow movie, focused on eerie tone over plot.  It bathes in the aesthetic of late '70s and early '80 science fiction, like a visit to EPCOT on some really bad LSD.

No timetable for VOD or theatrical release has been announced.

Below is the festival trailer.  If this doesn't turn you on, then you and I really have nothing to say to one another.

Check out my review of Beyond the Black Rainbow from the Tribeca Film Festival.

The Awesome Gross Chick From Bridesmaids Announces Two Projects

The Bridesmaids scene-stealer is doubling-down with two new comedies.

When I first reviewed Bridesmaids I was so swept up with Kristen Wiig's performance (the best film comedienne since Madeline Kahn) that there were few column inches left to talk about the other performances.

As I exited the SXSW premiere, however, I recall saying to friends that "if it were a just world, Melissa McCarthy would be starring in films of her own."

Well, there's nothing like a movie overshooting its estimates (it made $25 million at the box office this weekend) and receiving near-universal praise to make miracles happen.

Deadline reports that McCarthy is teaming with Bridesmaids co-writer Annie Mumolo on a quest movie to steal the Stanley Cup for her dying husband. The husband will be played by McCarthy's actual husband, Ben Falcone, who plays the object of McCarthy's affection in the soon-to-be-if-not-already airplane scene in Bridesmaids.

What disgusting things are in store for this noble vessel?

Entertainment Weekly is also reporting that Bridesmaids director Paul Feig is setting up a project for McCarthy to star in.  Nothing is yet known, except for the quote pulled in The Film Stage's article, "“If an actress like Melissa becomes a huge star? THAT is a world I want to live in.”

McCarthy uglied herself a bit for the role in Bridesmaids, but no matter how you slice it she has "unconventional Hollywood looks."  To that end, we must all do what we can to support Ms. McCarthy and her career.  Because she's really effing funny and we need more of that.

World of Cheap Thrills

What's scarier than a haunted house?  TWO HAUNTED HOUSES!

Rose Byrne, Patrick Wilson and their three young children have just moved into a big, old home.  He's a teacher and she doesn't work, so immediately I assumed there was some deal with the devil to make the down payment, but this was just my mind playing tricks.  The young baby does nothing but cry and one night the eldest sees something, makes a spooky face, then goes to sleep and NEVER WAKES UP.

He's not in a coma, he's just. . .in limbo.  Rather than making the cover of the New England Journal of Medicine with this indescribable condition, they just send the kid home.  And then the craziness starts.
I can't lie, the first few scares got my heart rate up.  There are demonic sounds on the baby monitor and, even though I was thinking "here comes the scary part, here comes the scary part" when something finally jumped out, I yelped like a frightened puppy.
I can't recall seeing a movie that relied as heavily on loud, dissonant piano notes on the sound track as much as Insidious.  Director James Wan (the first Saw movie and follow-up garbage he'd rather you not remember) either doesn't trust us or doesn't have the chops to allow creative framing or tense perspective shots to deliver the scares.  Either way, I found I did most of my crying-out not because anything truly frightening was happening on screen, but because something REALLY LOUD JUST CRASHED IN MY EAR.
I certainly wasn't involved in the plot in any way, which is a shame, because I think a comotose, house-bound child is fertile soil from which a genuine horror film can grow.  After Byrne sees enough weird visions she gets the family to relocate.  The scares keep coming in house two, making us all wonder what the hell kind of realtor they're using.
There's a twist, of course, and a too-late attempt at humor in the form of some goofy ghost hunters.  Once the "truth" is revealed, however, only the audience members willing to suspend their disbelief to the point they could wrap it around the circumference of Jupiter will keep from checking out.
So this is what's in store for you in Insidious: a real moronic supernatural horror film that exploitatively uses startling tactics to get in four or five decent jump scares.  If you are a high school kid on a date, go see Insidious.  If not, go take a run or finish that Dostoyevsky novel you keep putting off.

Deleted Scene From Mega mind Lays on the Guilt

Tina Fey socks it to Will Ferrell in this deleted scene from Dream works Animation's Mega mind.

Even in a modern, 3D, computer animated film there are things that hit the editing room floor. Only they do it more expensively than any ofther type of film imaginable.

This sequence from Megamind shows TV reporter Roxanne Ritchie (Tina Fey) really sockin' it to Will Ferrell's Megamind for slaying Brad Pitt's Metro Man.

I won't lie and call this a laugh riot, or even all that visually appealing, but for we obssessive completests out there, you need to watch this or you'll know, for the rest of your life, there's a part of Megamind you didn't see and it will drive you crazy.